Rhetorical Methods Of Persuasion - Foundation Of Classical Education
Rhetoric or communication skills, both written and verbal, form the foundation of classical education. In ancient Greece and civilized Rome, rhetorical rituals, critical appreciations and judicious discourses in public relations before the courts, diplomatic and cultural and political debates are disciplined in all normal learning environments. Aristotle's influential literature on the subject defines discourse as a technique of recognition (and application) and can, in some cases, be a tool of persuasion. His theoretical work and his contemporary discourse, especially the speeches and writings of Cicero and Quintilian, constitute an important resource in this area and are essential for all future contributions on this subject; which provides the basis and the framework to the subject matter.
Many basic principles of discipline and practice, such as clarity, power, simplicity and truth, are as effective and useful today as in the 24th century. Moreover, these basic principles have been strongly confirmed by the latest research in psycholinguistics, semiotics and cognitive science: the way humans think, learn, speak, write, and solve problems, ideas and impressions. The sector and the transportation sector have been instrumental in understanding the form. Especially in the era of electronic media and uninterrupted entertainment (in the age of attention, in billions of seconds and billions of bytes of information), the classic formulation of effective communication principles is very valuable.
Rhetorical methods of persuasion are called ethos, logos and pathos, which are the basis of persuasion. Aristotle invented these three words in his book; 'on rhetoric'. According to Aristotle, public reflection on the character of a missionary or writer affects the extent to which people believe or persuade this argument. This perceived personality is called the speaker's or writer's ethos. Essentially, a friendly person can convince the public that he must have a conscience, respect others and easily absorb knowledge. In many cases, the public knows the nature of the speaker or author before the event occurs. This is called the external ethos of man, or the reputation of the person we are talking about now. Speakers can gain a high profile from the audience through the publications, experience and knowledge discussed above. However, before the event occurred, the speaker's public understanding and the information presented in written and audio form impressed the character. The public's conclusion about the reliability of the speaker receiving the information is crucial. Public institutions and roles (such as governors and presidents) and publications also show a spirit or credibility. For example, the Washington Post is considered a more reliable source of information than national investigators. In most cases, the public believes that people with a strong sense of responsibility are more reliable than those without honor or title. You can convince the public whenever the words and writing of a speaker or writer are credible and ethos.
Pathos, another persuasive rhetoric style praises emotions, identity and public interest. For many centuries, many rhetoricians have long believed that this pathos was the most powerful call, but rarely spoke about it, and did not discuss the power of emotion to change someone's point of view. Use of universal prejudices for personal identity and self-interest. Even without functional problems, writers belonging to groups recognized by the public and those who create their own groups are often more convincing. People naturally think that it is more attractive for tempted speakers and writers than humiliated. Therefore, expert writers use the words of the public they are confronted to create a positive image, an image that real readers can recognize. Establishing an identity between the writer and the reader and displaying the speaker's device means that the audience with whom he speaks is particularly powerful.
This can help to strongly convince the audience of emotions and sometimes even to determine them. For example, if a writer wants a reader to rate something negatively, try to irritate the reader. Or, in order to create a program for someone (for example, to convince us to donate to a charity), the discussion can arouse our sympathy. Directly inducing readers to feel emotions (for example, 'crying immediately') is ineffective. Instead, to create emotions with words, you often have to recreate scenes or events that cause emotions. Therefore, describing what is painful or interesting can affect emotions. Controversy is a natural trigger of emotion. For example, if a person is usually angry with another person, they will benefit if they are not qualified. Thus, an arbitrator who wants to be angry or unfairly angry with someone can be rewarded.
The logos is the third and last method of persuasive persuasion, which is a clear reason given by rolling to support this situation and the discussion of the dialogue or the text itself. There are several ways to describe the support provided by an argument, but the most common starting method is to find all the locations that the author seems to provide. Since they are present throughout the discussion and can be expressed indirectly, the premise itself is a rule. The public should then ask the mediator to determine which buildings will submit their consent as a topic of discussion. The object of the contract is basically a fact or a value. Of course, this may not be the case and the reader may disagree with the hypothetical value. Some buildings will be more compatible, but each argument should in principle be part of the contractual terms shared between the argument and the public.
In conclusion, rhetorical is very common in persuasion, it is an art used from many centuries ago. Aristo was the first to meld rhetoric with persuasion, by identifying three methods which are; pathos, ethos and logos. Each of them is still used till this day in many articles, speeches, poets, even in advertising and marketing.
