The Impact Of Ursula Monkton’s Existence To The Development Of The Narrator In Neil Gaiman’s The Ocean At The End Of The Lane
Abstract
The Ocean at the End of the Lane is a unique and interesting novel written by a well-known author Neil Gaiman. This novel tells the story about a middle-aged man experiencing his life with the existence of the newcomer, Ursula Monkton, while he was seven years old. The purpose of analyzing this novel is to identify the characters, plot, and the development of the main character throughout. The writer uses library research and contextual method to analyze the psychological development. The result shows that lonely and isolated person could, in time, express himself to deny the social dynamics.
Introduction
Isolation is a defense mechanism in psychoanalytic theory first proposed by Sigmund Freud. It is characterized as a mental process involving the creation of a gap between an unpleasant or threatening condition, and other thoughts or feeling. His theory stated that by inserting an interval the person was letting it be understood symbolically that he will not allow his thoughts about the activity to come into associative contact with other thoughts. As a defense against harmful thoughts, isolation prevents him from allowing these conditions to occur.
The Ocean at the End of the Lane tells about the early life of a middle-aged man who encountered a nightmare he would never imagine. The act of isolation finally comes to an end while a woman-shaped “flea” made her appearance. There writer decides to analyze the development of the Narrator, as the protagonist, as he feels it is an interesting matter of how someone who sticks with isolation, never worried of anything the world throws to him, finally opens his mouth and begins to act for the sake of his life. There should be something triggered this, there should be something that pulls off the string.
Biography of Neil Gaiman
Neil Gaiman was born in Hampshire, UK, and continues his life in the United States near Minneapolis today. His writing career began in England as a journalist. Duran Duran, his first book, was a biography that took him three months to write and his second was a biography of Douglas Adams, Don't Panic: the Official Hitch Hiker's Guide to the Galaxy Companion. Neil Gaiman is considered as one of the creators of modern comics, as well as an author who works on many genres and reaches audiences of all ages. According to the Dictionary of Literary Biography, he is listed as one of the top ten living post-modern writers and is a productive creator of literary works.
Neil Gaiman writes books for readers of all ages, including the following collections and picture books for young readers: M is for Magic (2007); Interworld (2007), co-authored with Michael Reaves; The Day I Swapped My Father for Two Goldfish (1997); The Wolves in the Walls (2003); the Greenaway-shortlisted Crazy Hair (2009), illustrated by Dave McKean; The Dangerous Alphabet (2008), illustrated by Gris Grimly; Blueberry Girl (2009); and Instructions (2010), illustrated by Charles Vess.
Synopsis of The Ocean at the End of the Lane
The narrator is a middle-aged man who just attended someone’s funeral. Then he drives around the town where he grew up for he wants to avoid the social niceties implicit in such an event, and finds himself drawn to a farm where he once had a friend named Lettie Hempstock. He finds himself asking the old woman there if he could sit by their duck pond, recall the past, and then proceeds to start this extraordinary tale.
He is a pretty lonely boy (not even a single friend shows up for his seventh birthday party), who loves to live in the world of books. His parents have come across hard times financially, and are forced to rent the room to raise their income. One of the boarders, an opal miner from South Africa, decides that their car is the perfect vehicle in which to end his life. The boy and his father found the corpse with Lettie Hempstock nearby, a mysterious, so called eleven-year-old girl who lives on the farm at the end of the lane with her mother and grandmother. The boy is sent with her while the police sort things out with the dead opal miner, and it's there that he realizes these women are not altogether ordinary. They do, however, make some really good food.
Long story short, strange things begin to emerge upon him, such wake up choking an old coin. He seeks out Lettie since she seems to have all the answers. The two of them go on an adventure to discover the clue of this disturbing event, however things go south during the process. The thing, that Lettie's Grandmother refers to as a 'flea', manages to make the boy a doorway from her world into theirs, somehow make herself a form of woman and introduces to his family as Ursula Monkton—their latest boarder and childcare provider. His family is amazed with her appearance, particularly since her timing is perfect. However the boy knows there is something wrong. She always prevents the boy to abandon their house and eventually manipulate his father to attempt killing. He manages to escape from being drowned and leaves for the Hempstock’s farm.
The Hempstock family then tries to banish the otherworldly portal that Ursula has planted in him; however a portion of it still strongly rooted in his soul. At last they manage to persuade Ursula to take away the portal; however she assures, in order to do it, she has to take his life as well. Being out of option, Lettie summons, so called, 'varmints' to devour her. They are magical creatures that act as cleaners. Unfortunately, after they devour Ursula Monkton the magical creatures, things go south. They assure them that they have to devour the last piece of otherworldly portal left in the boy’s soul in order to go back to oblivion. By getting in the way, Lettie intends to rescue him as they go after him. Apparently it is going to be her last chance to live a life, a sacrifice. They do so much harm to her that no way she could make two goodbyes. Later on Grandmother and Ginnie send the varmints back to oblivion.
After that, Ginnie take the boy back to his parents. Somehow, she makes him fail to recall all the unusual, terror, and magical things that have happened. The only thing he remember is that all this time he is just been attending Lettie’s farewell party for her departure to Australia to be with her father.
Intrinsic Elements
Character
Character is one of the important elements in literary works such as a novel. The appearance of character is important for it influences the story through its personality, motivation, and attitude. In Michael Meyers’ opinion in The Bedford Introduction to Literature (1990:61), character is important in a fine fictional work because a character helps to develop the plot.
There are many types of character in literature; however the writer will only describe a couple for the limitation of the purpose of the study. According to Pickering and Hoeper (1962:24), protagonist is usually easy to identify for he or she is the essential character without whom there would be not in the first place. It is the protagonist fate on which attention of the reader focused. In another word, protagonist is the most essential character in a story since there will be no plot without it. The conflict happens in a story is always related to the protagonist.
While there is a character to be the main focus of the plot, there should be also someone against him to build the plot. It is antagonist. Perrine and Thomas state antagonist could be forces arrayed the protagonist whether it is a person or things (1988:20). The important part is antagonist is the character whom against the protagonist.
Plot
An author creates a work of fiction that makes a reader accept it as real world in the novel although it is something new for the reader. Readers are brought into the author’s fictional world by the plot. Plot is the author’s recipe to arrange incidents in a story. Authors or writers have a right to select and determine the events that they will use to shape the story through plot. Events can be arranged in chronological arrangement begins with what happens first, second, so on, until how the story is related and end.
In James L Potter’s opinion in Elements of Literature, structure of plot can be divided into five structures that consist of exposition, raising action, climax, falling action, and conclusion (1967:33-36). Exposition is a situation in which a potential conflict can be perceived. After the conflict is perceived, the built up actions are brought to the climax (raising action). Climax is a point in a narrative in which the conflict comes to a head, is strikingly intensified for a time. In order to settle the conflict that emerges and reach its climax, some actions have to be done. This part is called falling action. Finally, the story is closed with a resolution of the conflict.
Analysis
Protagonist Character
The Narrator is a character remains nameless throughout the entire book. At the beginning of the story, he was seven years old. He has father, mother, and a sister. He does not have friends and his only familiar, a cat, is killed. “I do not remember ever asking any of the other children in my class at school why they had not come to my party. I did not need to ask them. They were not my friends, after all. They were just the people I went to school with.” (1:12). He is also somewhat fearless of the unusual events, yet is paralyzed with fear of his father. He befriends Lettie Hempstock.
Antagonist Character
Ursula Monkton, according to the narrator’s story, is a woman-shaped flea. She takes advantage of the boy’s mother being at work and make an affair with his father. She threatens the boy and has used a hole in his foot as her door into his world. Ursula neither intends to disturb the people she encounters nor is she trying to be a death angel who take others’ lives. On the other hand — her only motive is to make everything better with her way of thinking: 'She finds what they think they need and she tries to give it to them. She's doing it to make the world into something she'll be happier in. Somewhere more comfortable for her. Somewhere cleaner.' The thing she is mistaken, of course, that she does not share the way of thinking to apply it in the way the people is familiar with. At the beginning of her appearances, Ursula suspects all of the financial problems in the boy's neighborhood and so she tries to solve it by sharing everyone money.
Plot
Exposition
Neil Gaiman began the story as the middle-aged Narrator recalls his past when he randomly wander in the city and ended up in his childhood neighborhood. It was his seven years-old party with no attendants, though he it does not bother him as he has no friend at all.
Conflict
Somehow there is a worm make his way into the boy’s body through his foot, making its inter-dimensional doorway to his world and change form into a woman. She then introduces herself to his family as Ursula Monkton, a boarder and child caretaker, and start impressing the family. She also prevents the boy from going out of the house as she plans to take their life away.
Rising action
The Narrator’s family is enthralled by Ursula, provides her a full control of them. The boy’s mother take a job out in the city to support their finance, his grandmother lock him up in the attic room, preventing him from escaping, and his father attempts to kill him.
Falling Action
The Narrator escapes the house via window and makes his way to the Hempstock family as he thinks there should be something they could do to solve this nightmare. The Hempstocks come to rescue and put the Narrator in a magic circle which makes him untouchable.
Resolution
The Hempstocks somehow summon varmints to finish Ursula Monkton. Unfortunately, these varmints could not send back to their realm for they have to eat the inter-dimensional doorway that Ursula made in the boy’s body. As they trying to attack him, Lettie Hempstock tried to fight and ended up being badly hurt, close to death. Later, Ginnie Hempstock takes her to the ocean and vanished. Her grandmother takes him to home safely.
Development of Narrator
Narrator at the Beginning
At the beginning of the story, the Narrator has been described as a seven years-old boy who lacks of conventional friendship. His mother organized a party to celebrate his birthday and not a single person shows up, not even her father, her sister, or his school friends. At one point he says: “I lay on the bed and lost myself in the stories. I liked that. Books were safer than other people anyway.” However, that might be considered as a self-defense mechanism he is activated to overcome the anxiety he feels for being trapped in loneliness all the time. The fact is he feels sad for nobody came to his birthday party, yet he chooses his books collection over them.
To make it reasonable, this is a conscious choice the author decides. Serving the narrator with totally far from the wonderful life he deserves, I am able to comprehend his desire for an adventure with Lettie regardless of her unusual and mysterious life. If only he had been the type of boy with many friends, or at least a duo with meaningful relationship, then when Lettie shows up with her dark yellow sky and conversation of bizarre creatures, he would be like, 'I am sorry, I have another crazy business to attend'. The time he encounters the miner corpse sprawling on his favorite book, one thing comes up in his head is if he will be gained the permission to reclaim it. I am quite certain that will not be most people’s first reaction, especially for boys. He is seven and remains composed over encountering a dead body in his family car.
In the same way, when he discovers the unusual version of Ursula Monkton, a worm, made her way into the boy’s heart via his foot’s sole, he, with full control of himself, attempts to pull it out: “I pulled perhaps an inch of this worm — pink and gray, streaked, like something infected — out of the hole in my foot, and then felt it stop. I could feel it, inside my flesh, making itself rigid, unpullable. I was not scared by this. It was obviously just something that happened to people…”. No panic over unusual parasites, running, or screaming for help. He, as a seven year old boy, remains calm and is extremely tough going along with whatever life toss at him.
Turning Point (Event that Caused the Change)
One thing throws him for an action is when he tastes, for the first time, his father’s wrath. Being yelled by his father, almost impossible for a mere kid to stand; he must be at least crying. It might trap him, so badly, in terror that he gets stunned. At last, the boy who possesses extremely high composure acquainted with fear. Why this is become the particular string to make the song feel alive? There is no particular clue throughout the story. He has to sit and remains still in the magical circle Lettie’s made to stay safe.
Although his father’s wrath has been the only string to trigger his steady soul up until this moment, he gets a clear thought that he has withstood even worse things before. So when his father shouts on him to get into the house, which would force him abandon the immunity of the magical circle offers, the boy says: 'Does it make you feel big to make a little boy cry?'. Not only forcing the false-father to cease, yet it is also a decisive moment for the boy. Now that he gains enough courage to fight his father, he could stand against anything the world toss at him.
Conclusion
The Ocean at the End of the Lane is a unique supernatural novel by Neil Gaiman. He implicitly explained isolation as the main focus of the story. The Narrator shown as a lonely boy who has no friend, even he admits the students in his school are just some people who he studies with. He often found himself drowned in books. Hempstock family is the only place for the Narrator to escape from his nightmare for they live in separated part of the town. Ursula Monkton’s appearance is the key of Narrator’s change in behavior. He realizes that there something wrong, start to break it down and experienced nightmares as the result. Finally, the soft spoken Narrator opens his mouth for words and takes many actions to figure out the situation.
Bibliography
- Gaiman, Neil. The Ocean at the End of the Lane. New York: The New Yorker. 2013.
- Hall, Calvin S. A Primer of Freudian Psychology. New York. The New American Library of World Literature, Inc., 1956.
- Ingoldsby, B.B.; Miller, J.E.; and Smith, S.R. Exploring Family Theories. Los Angeles: Roxbury Publishing Company. 2004.
- Meyer, Michael. The Bedford Introduction to Literature: Second Edition. 'Arial','sans-serif' Boston: St. Martin‟s Press. 1990.
