The Representation Of Marriage In Jane Austen’S Pride And Prejudice
A considerable lot of female characters in Pride and Prejudice think that ladies must wed so as to be glad. Does Austen share this same outlook?
Austen’s female characters are focued on marriage, a distraction that some of the audience, specifically those with strong feminist values may find off-putting. The facts confirm that Austen, similar to her characters, accepts that marriage is the surest course to bliss for young women. In any case, perceiving this situation doesn’t mean she supports of it. Pride and Prejudice isn’t in an endorsement for marriage; rather it is a fierce critique. Austen focuses on how much the ladies needed marriage in order to truly live their lives so as to shed light on why this shouldn’t be acceptable. Austen recommends that in her general public, love is an alluring part of marriage, yet in no way shape or form the most significant one. Jane Bennet is obviously the most appropriate for Bingley, the man she in the end weds, however as indicated by Austen, this similarity, while superb is practically unimportant.
Unquestionably much more important, from a realistic perspective, is that by wedding Bingley, Jane guarantees the financial prosperity her family and self. Jane is the most seasoned Bennet kid, and in the event that she were a man, her dad's domain would go to her upon his passing. Yet, the law commands that the home go to Mr. Collins, Mr. Bennet's old male family member. As a lady, Jane has just a single method to ensure she has a good life: via getting a wealthy spouse. In no way, shape or form does Austen excuse this circumstance. Actually, by making Mr. Collins a clown of the first order, she shows how backwards it is that Jane must scrabble to discover to find a spouse, while a near stranger stands to acquire her cherished dad's bequest. We can breathe easy because of Jane's and Bingley's actual love for one another though.
What Austens trying to get across, nonetheless, is that society's flimsy laws push Jane in to pick among marriage or the poorhouse. Although Jane is fortunate compared to other characters. Charlotte's marriage with Mr. Collins, one of the more discomforting associations in Austen's oeuvre, is a well received criticism of the incomprehensible situation society puts on ladies. Charlotte does not love Mr. Collins, or even like him for that matter. In fact, anybody would find it difficult to endure the status-fixated clergyman. Nonetheless, Charlotte can't legitimize turning down his proposal. She Elizabeth’s senior by six years, she has no wealth, and she has no forthcoming suitors past Mr. Collins. Society lays her out two decisions: She can become a maturing old maid with no status, or she can marry a fool who will give her company, currency, and some status. Neither of these decisions is wonderful, yet Charlotte chooses the latter, rather than the former. As she says, 'I am not a romantic you know . . . I ask only a comfortable home.' With this, Austen shows that for some ladies, marriage is an unwanted monetary need.
Pride and Prejudice, similar to Austen's different books, pursues a plot that may remind today’s readers of light 'chick lit' books. Yet, Austen's accentuation on marriage ought to never be confused with the support and endorsement of its role in today’s world. Her smart discourse and boy meets girl plots are simply the pretext for sharp social analysis and challenges to the customary way of thinking.
